Meet Kelly Boesch - an Extraordinary Talent

Hello Macro-mates (is that even a thing?)

A weevil

I hope you had a restful weekend, and that those of you still fortunate enough to have a dad around got to spend some time with his on Sunday. I had a really nice visit with my kids (if I’m still around when they are in their 60s, will they still be kids? Yes, of course they will!)

Anyway, today is Monday and there is much to be done, like triple checking my YouTube live-streaming credentials. I was terribly embarrassed last week, after going the better part of a year without a hiccup on the livestream, to have two disasters in one week. At least the disasters were of a common cause, making them more like one extended disaster, which sounds a tiny bit less incompetent. I will do everything in my power to make sure there is not another week like that in the foreseeable future. But there a couple of really fun and interesting things on the horizon that are definitely within the foreseeable future.

Lester Lefkowitz will be visiting with us in a couple of weeks - we still have some details to work out, but it is looking like he will be our special guest for the first Pzoom in July. He is coming back to tell us about his Lightroom system for not losing pictures. He will present his talk and follow up with a Q&A to address any questions that come up. After the Pzoom is over I will edit the content into a YouTube video that will be available to everyone within a few days of the meeting. I will keep you posted when I know is dates for sure.

This past weekend I had the immense please of making contact with one of the most talented  artists working in the strange world of AI powered video content creation. Some of you may recall a clip from a piece of generative video content that I showed during a livestream a couple of weeks ago? It was fresh, mesmerizing, with beautiful color and a surreal dream-like flow that was altogether a new experience for me. It was is a selection of paintings by Magritte, or Dali had come to life for a short, but remarkable and very satisfying, moment in time. Well I was completely taken by this new type of video content in general and the work of the artist, Kelly Boesch, in particular. Here are links to a couple of Kelly’s videos. I encourage you to visit her YouTube page  and explore some of the totally original content that she is making. I was so impressed by the quality of Kelly’s work that I reached out to her this weekend and asked if she might be willing to record a conversation with me, so that I could share it with you. She replied immediately and most graciously agreed to an interview. One of the things that grabbed my attention was Kelly’s fascination with insects and the frequent appearance of weird and wonderful insect-like characters in many of her videos. I hope that this interview will be available in  a week or two - and I will let you know the minute that it is.

Some of my favorite surrealist video art by Kelly Boesch::

1) An AI Dance Music Video - https://youtu.be/soRDe1XbWmM?si=w0-pmnnKWJvwE-Ti

2) A Story About Aging - https://youtu.be/28z0mAxIDQw?si=dtuA5iUwpuj7x7yG

3) Kids with Magical Creatures - https://youtu.be/8wkKg_bdc2k?si=gFZHzPsVDvTQrRkl

Try to keep in mind that these video stories were created in the mid of Keely Boesch but interpreted and transformed into video content by AI tools like #Midjourney, #Luma, and #keyframe!

Let’s get back to this week. I have something very special for you tomorrow in Macro Talk, Tuesday at 8PM. This stream was prompted by a question I was asked last week. A friend asked me to discuss the equipment and workflows being used  for high speed, handheld focus stacking in the field, by wonderful macro photographers like Claus Giloi, and Graham Carey. And that is precisely what I am going to attempt in Tuesday’s stream. I will be showing some of the great work by Claus and Graham and then breaking down every piece of equipment and every step in their respective workflows. Bring your questions and get up to speed on the new focus stacking superpower! Your link…https://youtube.com/live/54x6STaXN0Y?feature=share

Thursday’s Macro Talk Too, at 2pm, is going to be a more traditional Q&A where I will attempt to answer the questions that have been piling up for a few weeks - a lot to talk about but feel free to bring any macro questions that you have been  struggling with. Here is your link…. https://youtube.com/live/dfzxWF0KjIc?feature=share

Saturday is going to be a big day also - with Pzoom kicking off at 10am - two hours of face to face macro talk, with introductions, updates, and some more field macro discussion. Your Pzoom invitation is going to be posted over on Patreon, probably tomorrow.

Right after the Pzoom wraps up we go straight over to Tangent for another fun and challenging exploration of the 3D modeling world in our Fusion 360 discussion group for macro photographers and makers. If you have a 3D printer, or might one day buy one, you really need to come and meet the group - this is a fantastic resource for anyone trying to get a fast start in CAD/CAM. Larry Strunk knows his stuff and put a lot of work into this monthly gathering. Drop by and see what it is all about - 12:30 until 2(ish), this Saturday - here is your invitation - Allan Walls is inviting you to a scheduled Zoom meeting.

Topic: Tangent

Time: Jun 21, 2025 12:30 PM Central Time (US and Canada)

Join Zoom Meeting

https://us02web.zoom.us/j/6916802815?pwd=TS9tZi9ZL1NXeVUvOUF4eTg5YjdlZz09&omn=82319653517

Meeting ID: 691 680 2815

Passcode: 678122

OK - that is it for this week - I have a ton of work to get done before tomorrow. Hope to see you sometime this week!

Allan

The XP3BIO - Instructions for Assembly and Use

Thank you and congratulations on becoming the owner of my Cross Polarizing Photography Platform for Birefringence Imaging and Observation (XP3BIO). Your model is the new and improved version and your device is number 1 of 10 in this very limited model. You cannot, to the best of my knowledge, purchase one of these viewers anywhere else on the planet!

The viewer fully assembled and ready to use

This version of the platform represents a significant improvement over the first model in several ways. The viewer is smaller and lighter, but with a larger viewing area. It is designed to be used both in the horizontal position. With a new 1/4” 20 TPI mounting point, it can be secured to an articulating arm and positioned in almost any orientation. It is intended for viewing and/or photographing birefringent crystals grown on microscope slides and such slides can be locked into position on the specimen cassette to ensure they do not move or fall from the cassette during use. It contains a powerful light source and two layers of high quality linear polarizing material, along with a built-in diffusion layer and an empty filter cassette for addition of an optional retarder (wave plate), useful for viewing weakly birefringent material. I have included a brand new power supply, matched to the current requirements of the viewer. As an added bonus, I have prepared a sample slide (Acetanilide and ascorbic acid in methyl ethyl ketone) and installed it in the viewing position on the yellow specimen cassette. In the next section I will explain the purpose of each level and provide detailed instructions on how to use the device.

The colors are all wrong but fusion is not letting me change them

The viewer is made up of 4 separate levels, held in place by a cap ring secured with a pair of thumbscrews. The cap ring and levels 2-4 can be removed from the base (level 1) by removing the thumbscrews. Each level can only be mounted in one rotational orientation - do not try to force a level into the assembly without aligning the side pins with the receiving grooves on the  upright extensions from the base.

The cassettes, in levels 2, 3 and 4 are freely rotatable through 360º by inserting the point of  pen or pencil through the groove on the side of each level to engage with the  circular depressions around the cassette perimeter. Each level and the cassette corresponding to that level are color coded and numbered. They should always be mounted onto the base (level 1) in the same order (2-3-4-Cap Ring).

Level 1 - the base layer - really black, not green

Level 1 - the base layer - color black - this layer contains the light source, wiring, 12V power socket and switch. When plugged in to the 12 volt power supply, the device is activated by showing the red switch. The Base Level also contains a cassette that holds a layer of diffusion filter material below and a layer of linear polarizing filter material above. The black cassette in the base is not accessible during use and it is not necessary to rotate this cassette during use. Avoid handling the level 1 cassette to prevent smudging, which could impact the quality of images photographed using this platform. This cassette may be removed to access the light source and wiring within the base layer. Not that the base layer has two vertical posts, with a brass insert at the top of each post. One post has a single square groove on its inward oriented face, while the other has a pair of round grooves on its inward facing surface. These grooves correspond to the vertical ridges visible on the perimeter of levels 2, 3, and 4. These insure proper orientation of the upper levels and prevent rotation off the level housings during rotation of the cassettes. The base level has a cubic prominence into which a brass thread insert has been installed. This allows for mounting of the assembled device on an articulating arm, which may be used to aid in positioning of the device during use. The insert accepts a standard 1/4”, 20TPI screw.

Actually pale blue, this is the 2nd layer, for a wave plate (optional)

Level 2 - the Retarder Level - Color Blue - this level is included for mounting an optional retarding filter or wave plate. The device is shipped without a retarding filter installed in the Level 2 cassette. A circular  retarding filter with a diameter of 100 - 102 mm, may be installed in the cassette and held in place by 2-3 drops of hot glue, or other adhesive. Make sure the glue has dried completely before installing the cassette in the level 2 housing - failure to do so may prevent rotation of the retarder plate during use. During normal use, this level and its cassette may be left empty. The addition of a wave retarder is not required for viewing the majority of common birefringent crystals.

Actually yellow - both the housing and the cassette

Level 3 - the  Specimen Level - Color Yellow - This level is designed to securely hold a glass microscope slide in one of two common sizes - 25mm x 75mm or 50mm x 75mm. The detents for each size slide are oriented perpendicular to each other, so that only a single slide may be mounted at a time.

Note the tiny retaining tabbe for each slide

At each end of the detents are either one or two tiny retaining tabs. To mount a specimen slide, the slide should be inserted beneath the paired tabs and lowered into the detent while gently squeezing the cassette on an axis perpendicular to the long axis of the slide. This will provide just enough clearance for the opposite end of the slide to fall into the detent, after which the lateral pressure is relaxed causing the single tab to engage with the slide, holding it firmly in position and preventing any movement of the slide during positioning or viewing. The slide is removed by gently squeezing the yellow cassette while raising one end of the slide (the end with a single tab) and pulling it forward, out of the slide holder. ***Care is required to avoid slide breakage. This cassette can also be rotated to adjust subject framing and composition.

Meant to be light gray - the second polarizer

Level 4 -  The Analyzer Level - Color Grey - This level is used to house the second polarizer in the system. It is this filter that is rotated to achieve the desired level of cross polarization (the first polarizer is fixed). This cassette is also rotated using the tip of a pen or pencil, inserted into one of the round depressions on the circumference of the  cassette. When the second polarizer is perfectly positioned, perpendicular to the polarizing axis of the first polarizer, all light will be extinguished except for that being refracted by the birefringent material. Note that this is the last layer at the top of the device and that it is prone to damage or the accumulation of dust and other debris. When not in use the device should be stored in a closed box to prevent damage to the polarizing film.

The top ring holds everything together

Level 5 - The Cap Ring - Color Black - this is not a functional level and serves only to secure all the lower  levels within the device, allowing it to be positioned in any orientation without movement of the component parts. The thumb screws must be used to secure the device when in use. I have recently replaced the original screws with much shorter fasteners that allow rapid entry to the stack and access to the slide cassette. There should be no reason to dismantle the levels except to change the subject slide. The slide cassette is easily accessible and can be removed simply by removing the Cap Ring and the Level 4 housing. It is not necessary to remove the Level 3 housing to  change the slide. Removal of the cassette will suffice.

A complex crystal photographed on the XP3BIO

Suggestions for use of the XP3BIO

• Until you have some experience with the equipment, avoid using slides that still have unevaporated solvent present. Some of the solvents used could damage filters or the device itself.

• Use only the provided 12 V power supply to avoid damage to the LED panel.

• Do not over-tighten components attached to the brass insert on the front of the unit.

• Never touch the filters - dirt and debris may lower image quality.

• In some circumstances you may wish to further diffuse the light from the powerful COB light source. To do this cut a circle of 200mm diameter and place it on the shelf holding the Level 1 (base) filter cassette. Remember to remove when no longer needed.

• Do not place anything other than a wave plate/retarding filter into the Level 2 (blue) cassette. A diffuser will lessen the effectiveness of the polarizing layer.

• You may wish to add small rubber bumpers to the base and/or edge facings to prevent slipping.

• Never leave the device turned on  when it is left unattended. I have tested each unit and the COB LED does not produce enough heat to effect the housing or filters. But it is prudent to err on the side of caution.

• The device works better when the cap ring is in place and thumbscrews are secured - without this locking layer it is possible to encounter difficulties when trying to rotate cassettes. Rotating the housing with the cassette may make it more difficult to maintain a particular level of cross polarization.

• To view a specimen, remove both thumbscrews and lif off the cap ring. Carefully pull up on the second polarizer level (Level 4) and remove the housing and the cassette with polarizing filter. Then carefully remove only the slide holder cassette, leaving the housing in place. Gently squeeze the sides of the cassette to release the slide from the retaining tabs. Position one end of the new slide under the double tabs, then squeeze the slide holder on each side of the slide to raise the tab slightly and allow the slide to drop under the single sealing tab. Return the cassette to the yellow Level 3 housing. Replace the Level 4 housing taking care not to touch the polarizing filter and making sure that the ridges on the perimeter of the housing engage with the slots in the upright Level 1 alignment posts. Replace cap ring and tighten the thunbscrews before placing the viewer under your microscope or on your photography platform. Use an articulating arm secured to the viewer at the square mounting post if you wish to use the viewer at an unusual angle. Turn on the viewer’s light with the small toggle switch. Carefully rotate the yellow subject level cassette to the desired orientation for your composition. Then rotate the Level 4 cassette to maximize the polarizing effect. If no wave plate is being used it should be possible to completely extinguish all light except that which is being redirected by the birefringent material on the specimen slide

total extinction of ambient light when polarizing layers are 90º out of phase

In closing, thank you for purchasing this device! I am thrilled that you have sufficient faith in my “maker” skills to part with some of your hard-earned monies to acquire an XP3BIO. If you are happy with the device, please tell your friends, but if you are not, please tell me. I have made many improvements to the original design, but I am perfectly willing to believe that there are many more still to be made. If you think of one, please let me know!

I hope you enjoy using this invention as much as I have and I hope to see many of your crystal images in the future.

Allan